If you can believe it we tackle 25 (?!) films for this episode of GBW making it one of the longest episodes in the show’s history. Prepare thyself!
This time out we talk about a trio of horor classics (CREEPSHOW, POLTERGEIST and FRIDAY THE 13TH), some Euro horror that’s both horny and gory, ass-kicking courtesy of both Scott Adkins and Iko Uwais, a handful of sequels, proof that Chris has learnt nothing about being tempted by a movie’s title, lesser known Sean Connery with THE OFFENCE, and so much more!
We know you’ve been waiting for us to finish talking about the I Know What You Did Last Summer franchise, and we do, but that’s not all you’re going to get out of the latest COVID edition of GBW. We even talk about good movies – we promise!
On the agenda this time is an Animal House rip-off that is so tasteless it must be seen to be believed, Penelope Spheeris gives us a glimpse at the lives of punk teenagers in SUBURBIA, we talk about a duo of slasher flicks (one a legitimate classic, the other legitimately bizarre), William Friedkin’s SORCERER impresses big-time, Chris checks out the surprise sequel to BORAT, Josh gets his motorbiking ridiculousness on with TORQUE, we jam out to the theme song of 1986’s TERRORVISION and so much more!
The GBW “COVID edition” continues rolling along and this time it’s such a wacky mix of movies we’re talking about even we have no idea what compelled us to watch them all!
This time out we continue our dives into the Universal monsters and Hammer box sets, take a look at a quartet of 2020 films including ALONE and THE STYLIST, we get some messed-up industrial body horror from Japan, a duo of outrageous SOV courtesy of Severin Films, Earth Wind & Fire and Harvey Keitel starring in the same film, Josh offering up what may be a controversial opinion of 2008’s THE STRANGERS and much more!
Wondering what our topic name refers to? You’ll have to listen to find out!
We’re back with another “COVID edition” of GBW where we talk all about the films we’ve been watching. We start off with an American shot 80’s Italian slasher and don’t look back from there. This time up you get a hearty helping of TV thrillers, a lesser known 80’s attempt at bringing us a new action hero that failed, more slasher movie shenanigans, discussion on two bonafide classics, Josh continuing his dives into the Universal monsters and 200 movie Mill Creek box sets, body switching of varying degrees, we “Set the Night on Fire” and much more!
We make our return to topics as this episode we’ve both chosen our five favourite horror-themed television series. Just what will we pick? Will it all be the obvious choices or will there be surprises? Are there some debatable picks? You bet your ass there are!
First up, as usual, we start by talking about what we’ve been watching since last episode and this time it’s puppet sex, a look at Charlie Kaufman’s latest I’M THINKING OF ENDING THINGS, a 80’s slasher movie with the best tagline but not best quality, some mediocre bank robbery courtesy of Kim Basinger, more Universal monsters mayhem, a duo of 1985 sex comedies, our take on the highly unrrated/unknown THE TODD KILLINGS and much more!
“GBW: COVID Edition” continues on its crazy movie watching path with this, the 11th(!!), of our pandemic episodes.
This time out Josh tackles a couple of sequels in order to finish off some blu-ray sets, we get a duo of werewolf films, NASCAR comes roaring onto the scene, Henry Silva consumes a lot of J&B, young Jodie Foster shows us how to be FOXES, Spanish mutants reign supreme, Chris checks out BILL & TED FACE THE MUSIC and much more!
While not quite on the voyeurism level of one of the featured movies this time out, we here at GBW continue to watch way more films than it is sane to do so meaning that you should get ready for another marathon.
Apart from the aforementioned, BODY DOUBLE, we’ve got quite a mix for you this time with an early Joe Dante effort, a comedy that leaves us perplexed about Dudley Moore’s popularity in the 80’s, a dive back into classic Universal horror as well as the start of a Hammer Films journey, a look at the new Artsploitation release DEAD DICKS, some Bronson, Michael Keaton getting all domesticated, crazy Indonesian martial arts, Spanish horror effort THE PLATFORM and much more!
Continuing our heavy movie watching diets during this global pandemic; on this outing of GBW we’re talking about sixteen different films including a pair we both watched and (surprisingly) had the same opinion on.
We’re also getting down with animal attacks, 80’s computer romance, more of Josh’s look at the 200 film Mill Creek set, a Pierce Brosnan movie you’ve probably never heard of (and shouldn’t want to), a couple of third entries in series involving goth-y body mods and prison brawling, one of only two existing bike courier movies, an ill-advised remake, a look at the recent Shudder addition THE POOL and much more!
Prepare yourselves for a movie review marathon as we talk about twenty-two different films spanning all sorts of genre, quality levels, decades and formats!
We kick things off with the 1975 TV movie SWEET HOSTAGE and don’t look back from there with multiple trips to various Warner Archive releases, a punk rock documentary, a pair of 80’s comedies of varying quality, Josh taking a trip to FANTASY ISLAND, Al Pacino doing some CRUISING, a buddy cop comedy that never made it past VHS, Josh continuing his journey through the 200 film Mill Creek box set, a 1982 “Say No To Drugs” TV movie that doesn’t fail to entertain and much more!
It’s pretty impossible to even try and figure out just what our viewing habits were this episode because they were all over the damn place!
This time we’re talking sixteen films that pretty much cover all the bases. There’s the classic psychological horror of DON’T LOOK NOW, an early Chuck Norris film that does nothing but disappoint, John Wayne fighting fires, vampires that love to party, a mobster comedy from the director of Revenge of the Nerds, a super obscure 80’s movie that’s trying too hard to be a David Lynch film, Uwe Boll, Richard Pryor getting filthy rich and much more!